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Italian alternative rock trio epoimóriròmiope have released eclissi (unplugged), an acoustic reworking of the track “eclissi” from their album “ricordi di un tempo mai esistito”, out now via Epictronic Worldwide.

The new version strips the original of its layered production, arriving as a more direct and exposed take on the song. The band approached the arrangement not as a reduction but as a rewrite from scratch — reconsidering what the track needed once the noise was gone.

The band said: “When we first wrote and produced Eclissi, it was a track full of layers, tension, almost ‘noisy,’ even on an emotional level. Taking it acoustic wasn’t simply a matter of stripping it back, but of rethinking it from the ground up. We asked ourselves what would remain once everything unnecessary was removed, and in doing so, we uncovered its most fragile and honest core. This version is more direct, more exposed. Where there was once anger or impact, there is now vulnerability. Certain lines carry a different weight, almost as if the song had grown with us over time. In a sense, this isn’t just a musical reinterpretation, it’s an emotional one too: the same song, seen through different eyes.”

eclissi (unplugged) is available now on all major streaming platforms

Stream here: orcd.co/eclissi

Watch the video:

Previous Singles and Videos:

vertigine: Stream– Watch

coma: Stream – Watch

cenere: Watch

With ricordi di un tempo mai esistito, epoimóriròmiope invite listeners into their world of raw emotion, fragile beauty, and haunting intensity.

Stream ricordi di un tempo mai esistito: orcd.co/rdtme

epoimóriròmiope is:

Erik Storari – Vocals, Guitar, Composition, Production
Sara Fioravanti – Bass
Giulio Barranca – Drums

epoimóriròmiope online:

www.youtube.com/@epoimoriromiope
www.instagram.com/epmm_official
www.tiktok.com/@epoimoriromiope

 About:

Emerging in 2021 from Bologna, Italy, epoimóriròmiope fuses Metalcore, EDM, and Alternative Rock into a genre-defying sound. Originally a one-man project, it has evolved in both style and lineup—from the dark trap influences of Vincoli (2021) to the electronic experiments of kabukimono (2023). Singles from these albums remain on YouTube but have been withdrawn from streaming platforms to mark a fresh start with the definitive lineup and sound.

Lyrically, the project has shifted from social observations to exploring the darkest corners of the human soul. The latest album, “ricordi di un tempo mai esistito”, delves into separation, loss, regret, anger, anxiety, and reflections on death and life’s fleeting nature. Its first single, “vertigine”, captures the dizzying weight of absence and memory, offering atmospheric, raw alt-rock where love, identity, and time seem to unravel.

UK grunge rock outfit Maximum Robot have released the lyric video for “Eternia”, the latest single from their album “Away With The Fairies”, out now via Epictronic.

Built on gritty riffs and a strong melodic pull, “Eternia” hits with both energy and intent. The song looks at the chaos of human behaviour, pollution, environmental collapse, and war, and pushes back against it, imagining a different reality far from it all.

The title draws from Eternia, the iconic world from He-Man and the Masters of the Universe. Here, it becomes more than a reference; it’s a contrast, a symbol of escape from a planet that feels increasingly out of control.

“Eternia” gives a clear taste of what “Away With The Fairies” sounds like: direct songwriting, sharp themes, and no wasted space.

Watch the lyric video for “Eternia” here:

Maximum Robot is a grunge band from Andover, England, was founded by guitarist, vocalist, and songwriter Gazza Williams. After decades of effort, drummer Vyara Petkova joined in 2019, followed by bassist Dave Hull, forming the original lineup—but they never performed live together. Pandemic disruptions and lineup changes followed, with Williams and Hull finally playing their first gigs in Autumn 2024. In 2025, work began on their fourth album, and Jack Chapman replaced Hull on bass, bringing a heavier, rawer sound. The current duo, Chapman and Williams, upholds the band’s motto: “Music Never Dies.”

Epictronic is delighted to announce the signing of Happy Sad, the evocative solo project of Japanese multi-instrumentalist and acclaimed sound designer Hiroaki Kusano. The partnership kicks off with the worldwide release of the masterpiece album, The World is Grand When We See, arriving June 11, 2026.

“It all began with a comment from Mr. Carlo of Epictronic on Hiroaki’s music.” Kusano said, “The partnership took shape from a shared vision and a clear understanding of the idea of ‘music that paints the landscapes of the heart.’”

“We are extremely proud and honoured to announce our collaboration with HAPPY SAD, an extraordinarily talented Japanese artist whose vision goes far beyond the boundaries of conventional songwriting. What immediately captured my attention was not only the quality of the music itself, but the depth, sensitivity, and artistic identity behind every composition. HAPPY SAD represents the kind of artist that today has become incredibly rare: authentic, cultured, emotionally honest, and deeply devoted to the creative process in all its forms. His music naturally blends elements of mellow soul, ambient, trip-hop, and cinematic soundscapes into something deeply personal and recognisable. There is a poetic elegance in the way he combines acoustic instrumentation with modern production techniques, creating songs that feel intimate, atmospheric, and timeless at the same time. Beyond his solo work, his impressive career as a sound designer and composer for more than 60 video game productions and multimedia projects demonstrates an exceptional artistic versatility and a truly international level of professionalism. For us, this collaboration is not simply a licensing agreement. It is the meeting of two artistic visions connected by a shared love for emotionally powerful music, sonic exploration, and artistic sincerity. We genuinely believe HAPPY SAD deserves much wider international recognition, and we are incredibly excited to help bring his music to new audiences around the world.” — Carlo Bellotti

A Cinematic Journey Through Shadow and Light

The World is Grand When We See brings together a refined selection of recent works, focusing on compositions designed to evoke imagery through sound. The album moves between neoclassical arrangements, ambient layers, lo-fi textures, world music influences, and alternative rock structures, forming a fluid and cinematic listening experience.

At its core, the record reflects a personal journey shaped by contradiction. Hiroaki’s perspective—formed through years of travel across ten countries in search of sound, instruments, and lived experience—embraces both beauty and discomfort in equal measure. The result is a body of work that does not avoid darkness but allows light to break through it.

The album carries a dynamic emotional arc. Initial heaviness gradually gives way to moments of clarity, where softness and warmth emerge like light after rainfall. This contrast becomes a central theme, mirroring the instability and emotional complexity of contemporary life. Rather than following trends, Happy Sad focuses on expression rooted in direct experience and human connection.

The title The World is Grand When We See reflects a simple idea: meaning does not come from second-hand perspective, but from direct observation and lived understanding. The music invites listeners into that process—quiet, reflective, and deeply personal.

About the Artist: The Architect of Sound

Hiroaki is the artist behind the project Happy Sad. He began making music during his student years, recording demos while performing solo acoustic sets and playing in café bars. His influences span soul, British rock, folk, trip hop, neoclassical, world music, film scores, and ambient, alongside a strong connection to literature and the arts. His work balances live instrumentation with programmed elements. To date, Happy Sad has released seven albums and 19 EPs.

Alongside his solo work, Hiroaki is a Sound Designer and Sound Director with around 14 years of experience in the game industry. He has held senior roles at companies including NetEase Games, FunPlus, NHN PlayArt, IGNIS / Studio King Inc., and Noisycroak Inc., contributing to more than 60 projects. His work covers music composition (BGM), sound design, MA, direction, promotional video production, and audio for games, commercials, and short dramas.

In 2013, his track “Everyday” won the domestic DJ category and became a finalist in MTV and Lenovo’s “CO:LAB” contest.

Happy Sad is his personal artistic outlet, developed since his student days. It reflects his inner landscape and explores both beauty and darkness in life, connected to a wider tradition of art and philosophy focused on human experience.

In recent years, he has traveled across ten countries in search of sounds and traditional instruments. Along the way, encounters with displaced people left a strong impression and reinforced his desire to share music that carries shared human emotion.

He views music as a universal language—capable of connecting people in the same way visual art can capture and communicate a single, lasting moment.

Watch the stunning video for “Red Sun, Red Rain Fall on the Ground” and step into the world of Happy Sad:

Explosive UK grunge-rock act Maximum Robot is proud to announce their official signing with Epictronic Records. This powerhouse partnership sets the stage for the release of their highly anticipated fourth studio album, “Away With The Fairies”, set on 15 May 2026.

Maximum Robot is a grunge band from Andover, England, was founded by guitarist, vocalist, and songwriter Gazza Williams. After decades of effort, drummer Vyara Petkova joined in 2019, followed by bassist Dave Hull, forming the original lineup—but they never performed live together. Pandemic disruptions and lineup changes followed, with Williams and Hull finally playing their first gigs in Autumn 2024. In 2025, work began on their fourth album, and Jack Chapman replaced Hull on bass, bringing a heavier, rawer sound. The current duo, Chapman and Williams, upholds the band’s motto: “Music Never Dies.”

The album’s lyrical content covers themes such as daydreaming and being detached for reality. The title “Away With The Fairies” basically means you are in a world of your own, or not connected to reality or the world around you. This theme runs through the whole album. Fairies come from Celtic mythology, and this features heavily in the band’s artwork. They define their sound as grunge but with influences from punk rock and metal of various sub-genres. Their sound on this album is based on four people. The drummer, the bass player, the guitarist/vocalist, and the engineer who recorded, mixed, and mastered the songs. Each person has their own influences and style, so you get a totally unique sound that sounds like no other band.
If you take Nirvana, NOFX, and Dream Theater, and try to mash them together with an English accent, you might get something like Maximum Robot! While they take inspiration and influence from other bands, they also aim to and hope to create something new and inspire the next generation. They are really happy with this album and feel that it does demonstrate that nothing sounds like Maximum Robot.

“We were delighted to sign with Epictronic,” said Maximum Robot. “They have an obvious passion for music and totally get what we’re trying to do. It’s also fantastic to have somebody to help promote our music so we don’t have to do everything on our own. With this album, we feel Epictronic is the perfect partner for the release.”

Get a taste of Maximum Robot’s music through the video for “A World Of My Own”: